Recent publications
‘Busnoys in the hands of scribes, or: What did key signatures mean to the scribes?’, paper presented at the Medieval and Renaissance Music Conference, 5th-8th July 2010, Royal Holloway, University of London (PDF 144 kb).
‘Chansoner på nettet – eller digitaliseringsprocessens indvirkning på forskningens metoder og resultater’. Indlæg ved Dansk Selskab for Musikforsknings 7. symposium Musik, lyd og digitalisering, lørdag d. 24. april 2010 på Institut for Kunst- og Kulturvidenskab, Afdelingen for Musikvidenskab, Københavns Universitet (PDF 444 kb).
‘Prenez sur moi vostre exemple: The ‘clefless’ notation or the use of fa-clefs in chansons of the fifteenth century by Binchois, Barbingant, Ockeghem and Josquin’, Danish Yearbook of Musicology 37 (2009), pp. 13-38.
‘David Fallows, Josquin, Turnhout 2009’ (review), Danish Yearbook of Musicology 37 (2009), pp. 98-102.
François Dulot’s “Ave Maria” – music for the men and boys of the Amiens Cathedral. A five-part Marian motet edited by Peter Woetmann Christoffersen after the musical manuscript Copenhagen, The Royal Library, Ny kgl. Samling 1848 2°, pp. 314-315. (PDF 77 kb)
‘Publishing 15th century music: Open Access and Digital Editing’, Paper read at the symposium Digital Editions: Perspectives for Editors and Users at The Department of Arts and Cultural Studies, Section of Musicology, University of Copenhagen, January 19, 2008.
Web publication 2008.
Also published as PDF-file in
Axel Teich Geertinger and Bjarke Moe (eds.): Digital Editions of Music.
Perspectives for Editors and Users.
Proceedings. Copenhagen 2008. pp. 49-59.
‘The Music Sections of MS Amiens 162: Copyists, Purpose, Corbie, Confréries and the Role of Antoine de Caulaincourt’, paper presented at the Colloque International »In Seculum Amiens. Les manuscrits musicaux d’Amiens au Moyen Âge«, November 22-24, 2007 in Amiens.
Web publication 2007 or PDF file (ca 474 kb)
‘Alexander Agricola’s Vocal Style – »bizarre« and »surly«, or the Flower of the Singer’s Art?’ in Nicole Schwindt (ed.), Alexander Agricola. Musik zwischen Vokalität und Instrumentalismus (Trossinger Jahrbuch für Renaissancemusik 6 - 2006), Kassel 2007, pp. 59-79
‘Sangerens kunst og Agricolas kirkemusik. Om forholdet mellem improviseret og komponeret flerstemmighed’,
Download PDF file (ca. 472 kb)
Josquin Desprez: Ut Phebi radiis. Motet for fire stemmer udgivet af Peter Woetmann Christoffersen.
Practical edition online
‘Hvad enhver kordreng skal kunne. Betragtning af motetten Ut Phebi radiis af Josquin Desprez (vokal instrumentation 2)’ Musik & Forskning 28 (2003) pp. 97-118
Download PDF file (ca. 165 kb)
‘Kirkemusik i stramme tøjler. Om alternatim-messer til Santa Barbara i Mantova’ Dansk Årbog for Musikforskning 30 (2002) pp. 9-50
Download pdf file (ca. 904 kb)
‘Josquin og stemmernes klang. Et forslag til analyse af vokal instrumentation’ Musik & Forskning 27 (2002) pp. 7-24
Download PDF file (ca. 125 kb)
‘Æslets skryden og sang gennem tårer. Billeder i musik i 1400-tallets populære og kunstfulde traditioner’ Musik & Forskning 26 (2001) pp. 97-134
Download PDF file (ca. 775 kb)
And a really old one
‘»Or sus vous dormez trop«. The Singing of the Lark in French Chansons of the Early Sixteenth Century’ Festskrift Henrik Glahn. Ed. Mette Müller, Copenhagen 1979, pp. 35-67
Download PDF file (ca. 1,77 Mb)