Peter Woetmann Christoffersen
Renaissancekursus, bibliografi 2008
Nedenstående bibliografi er ganske omfattende. Den samler op på titler som har vist sig at være brugbare for læsning og opgaveskrivning ved tidligere kurser i beslægtede emner. Derfor er listen mest tænkt som en vej til at finde tekster, som jeg ofte refererer til. Mange af de omtalte titler er placeret i flere emnegrupper.
"Semesterhylde" angiver de titler som jeg regner findes på kursets semesterhylde; "kopiforlæg" vil sige at kopiforlæg findes (eller kommer/eller er på mit kontor) i mappen på semesterhylden; "G" betyder at der også er en henvisning til teksten i grupperummet “renaismusik"; "resumé" henviser til korte resumeer af enkelte tekster, som jeg har udarbejdet.
NB Efter hvert afsnit i Atlas, Allan W.: Renaissance Music findes gode bbibliografier om de gennemgåede emner, up-to-date indtil 1998.
NB husk at mange tekster også kan findes elektronisk via KBs Electra - både fra KUs computere og hjemmefra (via fjernadgang).
Almen musikhistorie mm.:
Atlas, Allan W.: Renaissance Music. Music in Western Europe 1400-1600. New York 1998 (semesterhylde)
Atlas, Allan W. (ed.): Anthology of Renaissance Music. New York 1998
Reinhard Strohm: The Rise of European Music 1380-1500. Cambridge 1993
Knighton, Tess & Fallows, David (eds.): Compagnion to medieval and renaissance music. London 1992
Reinhard Strohm & Bonnie J. Blackburn (eds.): Music as Concept and Practise in the Late Middle Ages (The New Oxford History of Music. New Edition. Vol. III.1) Oxford 2001
Iain Fenlon (ed.): The Renaissance. From the 1470s to the end of the 16th century (Man & Music), London 1989
James McKinnon (ed.): Antiquity and the Middle Ages. From Ancient Greece to the 15th century. (Man & Music) London 1990
D.J. Grout & C.V. Palisca: A History of Western Music. Sixth Edition. New York 2001
Michael Nordberg: Den dynamiske middelalder. København (Forlaget Per Kofoed) 1987 (svensk: 1984)
Michael Nordberg: Renæssancens virkelighed. 1400-tallets Italien – myter og realitet. København (Gyldendal) 1995 (svensk: 1993)
E.H. Gombrich: ‘In Search of Cultural History’ (Lecture 1967, publ. Oxford UP 1969) i E.H. Gombrich: Ideals and Idols. Essays on values in history and art. Oxford (Phaidon) 1979, s. 24-59
E.H. Gombrich: Kunstens historie. København (Gyldendal) 1997
Renaissancen:
Leon Battista Alberti (Lise Bek, ed.): Om billedkunsten. København 2000 (God indledning om den italienske renæssance, Firenze og Alberti)
Artikel ‘Renæssance’ i Den Store Danske Encyklopædi, Bd. 16 (2000), s. 116-23
Rob C. Wegman: The Crisis of Music in the Early Modern Europe 1470-1530. New York (Routledge) 2005
Lewis Lockwood: Article ‘Renaissance’, (2001) Grove Music Online ed. L. Macy - G - kopiforlæg
Edward E. Lowinsky: ‘Music in the Culture of the Renaissance’ i Paul Oskar Kristeller & Philip P. Wiener (eds.): Renaissance Essays (Library of the History of Ideas IX) Rochester 1992, s. 337-81, (opr. Journal of the History of Ideas XV (1954), no. 4)
Heinrich Besseler: ‘Das Renaissanceproblem in der Musik’ Archiv für Musikwissenschaft 23 (1966) s. 1-10
Jerry Brotton: ‘The Myth of the Renaissance in Europe’
http://www.bbc.co.uk/history/british/tudors/renaissance_europe_01.shtmlKim Beck Danielsen & Sanne Stemann Knudsen: Renæssancen – Da mennesket kom i centrum, Århus (Systime) 2005
Jessie Ann Owens: ‘Music Historiography and the Definition of the »Renaissance«’ Notes 47 (1990) s. 305-30
Andrew Kirkman: ‘“Under Such Heavy Chains”: The Discovery and Evaluation of Late Medieval Music before Ambros’ 19th-Century Music 24 (2000) s. 89-112
Dorthe Jørgensen: Skønhedens Metamorfose. De æstetiske idéers historie. Odense (Syddansk Universitetsforlag) 2001, s. 169-91
Diskussion af ‘Ars nova’ i 1430'erne og Martin le Franc
Reinhard Strohm: ‘Music, Humanism, and the Idea of a »Rebirth« of the Arts’ i Reinhard Strohm & Bonnie J. Blackburn (eds.): Music as Concept and Practise in the Late Middle Ages (The New Oxford History of Music. New Edition. Vol. III.1) Oxford 2001 s. 344-405, kommentar.
Rob C. Wegman: ‘New Music for a World Grown Old. Martin Le Franc and the “Contenance Angloise”’ Acta Musicologica 75 (2003) s. 201-41
Rob C. Wegman: ‘Johannes Tinctoris and the ‘New Art’’ Music & Letters 82 (2003) s. 171-88
Reinhard Strohm: ‘Neue Aspekte von Musik und Humanismus im 15. Jahrhundert’ Acta Musicologica 76 (2004) s. 135-57
Tinctoris om musikalsk skønhed - æstetik:
Rob C. Wegman: ‘Sense and sensibily in late-medieval music. Thoughts on aesthetics and authenticity’ Early music 23 (1995) s. 299-312
Christopher Page: ‘Reading and reminiscence: Tinctoris on the beauty of music’ Journal of the American Musicological Society 49 (1996) s. 1-31
Ronald Woodley: ‘Renaissance music theory as litterature: on reading the Proportionale Musices of Iohannes Tinctoris’ Renaissance Studies 1 (1987) s. 209-20
Rob C. Wegman: ‘ ‘Musical understanding’ in the 15th century’ Early music 2002 s. 47-66
Umberto Eco: Middelalderens Æstetik, København (Forum) 2003 (oversat af Thomas Harder efter Arte e belleza nell’estetica medievale, Milano (Bompiani) 1987)
Dorthe Jørgensen: Skønhedens Metamorfose. De æstetiske idéers historie. Odense (Syddansk Universitetsforlag) 2001, s. 169-91
Opførelsespraksis, autencitet og videnskabshistorie:
Daniel Leech-Wilkinson: The Modern Invention of Medieval Music. Scholarship, Ideology, Performance. Cambridge (Cambridge UP) 2002
John Haines: Eight Centuries of Troubadours and Trouvères. The Changing Identity of Medieval Music. (Cambridge (UP) 2004
Nicholas Kenyon (ed.): Authenticity and Early Music. A Symposium. Oxford (OUP) 1988
Richard Taruskin: Text and act: essays on music and performance. New York (Oxford UP) 1995
John Butt: Playing with history. The Historical Approach to Musical Performance. Cambridge (Cambridge UP) 2002
Anna Maria Busse Berger: Medieval Music and the Art of Memory. Berkeley (Univ. of California Press) 2005 (KB: e-bog)
Renaissancen, den nye musik, musik og mening, verdsligt-kirkeligt:
Rob C. Wegman, ‘Sense and sensibily in late-medieval music. Thoughts on aesthetics and »authenticity«’ Early music 23 (1995) s. 299-312.
Paula Higgins: ‘In hydraulis Revisited: New Light on the Career of Antoine Busnois’ Journal of the American Musicological Society 39 (1986) s. 36-86.
Andrew Kirkman: ‘The Invention of the Cyclic Mass’ Journal of the American Musicological Society 2001 (Vol. 54) s. 1-47, resume
M. Jennifer Bloxam: ‘A Cultural Context for the Chanson Mass’ i Honey Meconi (ed.): Early Musical Borrowing. New York & London (Routledge) 2004, s. 7-35 (resume)
Om symboler:
Craig Wright: The Maze and the Warrior. Symbols in Architecture, Theology and Music. Cam. Mass. (Harvard UP) 2001
Improvisation, performer, res facta og musikteori:
Rob C. Wegman: ‘From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500’ Journal of the American Musicological Society 1996 s. 409-79 resumé
Peter Woetmann Christoffersen: ‘Om improvisation og komposition i 1400-tallet. En introduktion’ (upubliceret artikel 2007) - pdf-fil (184 kb)
Peter Woetmann Christoffersen: ‘Om enkel flerstemmighed til udsmykning af kirkesangene’ (Upubliceret resumé 2004/2008)
Peter Woetmann Christoffersen: ‘Sangerens kunst og Agricolas kirkemusik. Om forholdet mellem improviseret og komponeret flerstemmighed’, Download PDF file (ca. 472 kb)
Pamela F. Starr: ‘Musical entrepreneurship in 15th-century Europe’ Early Music 32 (2004) s. 119-33
Margaret Bent: ‘»Resfacta« and »Cantare Super Librum«’ Journal of the American Musicological Society 1983 s. 371-91 (resumé)
Bonnie J. Blackburn: ‘On Compositional Process in the Fifteenth Century’ Journal of the American Musicological Society 1987 s. 210-84 (resumé)
Andrew Kirkman: The Three-Voice Mass in the Later Fifteenth and Early Sixteenth Centuries. Style, Distribution and Case Studies. New York & London (Garland) 1995, Chapter 3 The Theoretical Perspective, s. 101-136
Alexis Luko: ‘Tinctoris on varietas’ Early Music History 27 (2008), pp. 99-136
Margaret Bent: ‘Sense and Rhetoric in Late-Medieval Polyphony’ in Andreas Giger & Thomas J. Mathiesen (eds.): Music in the Mirror. Reflections on the History of Music Theory and Literature for the 21st Century. Lincoln and London (University of Nebraska Press) 2002, pp. 45-59
Jan Herlinger: ‘Music theory of the fourteenth and early sixteenth centuries’ i NOHM III.1 s. 244-300
Bonnie J. Blackburn: ‘Music theory and musical thinking after 1450’ i NOHM III.1 s. 301-45
Genealogi, imitation, konkurrence, kormesterens nye rolle:
Paula Higgins: ‘Musical “Parents” and Their “Progeny”: The Discourse of Creative Patriarchy in Early Modern Europe’ i J.A. Owens & A. Cummings (eds.): Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (Detroit Monographs in Musicology/Studies in Music, No. 18) Warren, MI, 1996, s. 169-86 (resumé)
Paula Higgins: ‘Musical Politics in Late Medieval Poitiers: A Tale of Two Choirmasters’ i Paula Higgins (ed.): Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, s. 155-74 (resumé)
David J. Burn: ‘« Nam erit haec quoque laus eorum » Imitation, Competition and the « L’homme armé » Tradition’ Revue de Musicologie 87 (2001) s. 249-87 (resume)
Komponisternes arbejdsmetoder, skitse til renskrift, simultan/successiv komposition
Jessie Ann Owens: Composers at Work. The Craft of Musical Composition 1450-1600. New York 1997
Peter Woetmann Christoffersen: French Music in the Early Sixteenth Century. Studies in the music collection of a copyist of Lyons. The manuscript »Ny kgl. Samling 1848 2°« in the Royal Library, Copenhagen I-III. København 1994. Især Vol. I Chapter 11 ‘The manuscript as material for study’, s. 292-301.
Stiftelser og institutioner:
Barbara Haggh: ‘Foundations or Institutions? On Bringing the Middle Ages into the History of Medieval Music’ Acta Musicologica 68 (1996) s. 87-128
Barbara Haggh: ‘The Meeting of Sacred Ritual and Secular Piety: Endowments for Music’ Knighton, Tess & Fallows, David (eds.): Compagnion to medieval and renaissance music. London 1992, s. 60-68
Om hukommelsens og beherskelse af memotekniks betydning for middelalderens lærdom og kunst:
Mary J. Carruthers: The Book of Memory. A Study in Medieval Culture. Cambridge (UP) 1990 (PB 2003)
Anna Maria Busse Berger: Medieval Music and the Art of Memory. Berkeley (Univ. of California Press) 2005 - semesterhylde (KB: e-bog)
Josquin Desprez og ‘Den store komponist’:
Richard Sherr (ed.): The Josquin Companion. Oxford (UOP) 2000
Edward E. Lowinsky & Bonnie J. Blackburn (eds.): Josquin des Prez: Procedings of the International Josquin Festival-Conference ... New York City, 21-25 June 1971. London 1976
Patrick Macey, Jeremy Noble, Jeffrey Dean & Gustave Reese: Artikel ‘Josquin (Lebloitte dit) des Prez’ New Grove II.
Sydney Robinson Charles: Josquin des Prez: A Guide to Research. New York (Garland) 1983
Edward E. Lowinsky: ‘Musical Genius — Evolution and Origin of a Concept’ The Musical Quarterly 1964 s. 321-40 & s. 476-95
Jessie Ann Owens: ‘How Josquin Became Josquin: Reflections on Historiography and Reception’ i J.A. Owens & A. Cummings (eds.): Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (Detroit Monographs in Musicology/Studies in Music, No. 18) Warren, MI, 1996 s. 271-279
Andrew Kirkman: ‘From Humanism to Enlightment: Reinventing Josquin’ The Journal of Musicology 17 (1999) s. 441-58
Rob C. Wegman: ‘»And Josquin Laughed . . .« Josquin and the Composer’s Anecdote in the Sixteenth Century’ Journal of Musicology 18 (1999) s. 319-357
Rob C. Wegman: ‘Who Was Josquin?’ i Richard Sherr (ed.): The Josquin Companion. Oxford 2000, s. 21-50
Paula Higgins: ‘The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius’ Journal of the American Musicological Society 57 (2005) s. 443-510
Stephanie P. Schlagel: 'The Liber selectarum cantiorum and the “German Josquin Renaissance”’ Journal of Musicology 29 (2002), s. 564-615
Analysere Josquin
John Milsom: ‘Analysing Josquin’ i Richard Sherr (ed.): The Josquin Companion. Oxford 2000, s. 431-84.
Patrick Macey: ‘Josquin and Musical Rhetoric: Miserere mei, Jesu and Other Motets’ i Richard Sherr (ed.): The Josquin Companion. Oxford 2000, s. 485-530.
Cristle Collins Judd: ‘Josquin des Prez: Salve regina (à 5)’ i Mark Everist (ed.): Music before 1600 (Models of musical analysis). Oxford 1992, s. 114-53
Komponister:
David Fallows: Dufay. London 1982/87 (se også Du Fays biografi)
Richard Sherr (ed.): The Josquin Companion. Oxford (UOP) 2000
Paula Higgins (ed.): Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999
Fabrice Fitch: Johannes Ockeghem: Masses and Models. Paris 1997
Philippe Vendrix (ed.): Johannes Ockeghem. Actes du XLe Colloque international d’études humanistes. Tours, 3-8 février 1997 (Collection « Épitome musical » 1) Paris 1998
Rob C. Wegman: Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford 1994 (PB: 1996)
Nicole Schwindt (ed.): Alexander Agricola. Musik zwischen Vokalität und Instrumentalismus (Trossinger Jahrbuch für Renaissancemusik 6 - 2006), Kassel 2007
Chansoner - kvinders miljø
Paula Higgins: ‘Parisian Nobles, a Scottish Princess, and the Woman’s Voice in Late Medieval Song’ Early Music History. Studies in medieval and early modern music 10 (1991) s. 145-200
Leeman L. Perkins: ‘Antoine Busnois and the d'Hacqueville Connection’ i: M.B. Winn (ed.): Musique naturelle et musique artificielle. In Memoriam Gustav Reese (Le moyen français 5) Montreal 1979, s. 49-64
Don Michael Randel: ‘Dufay the Reader’ Studies in the History of Music I: Music and Language, New York 1983, s. 38-78
Musikliv, byer:
Reinhard Strohm: Music in Late Medieval Bruges. Oxford 1985
Clive Burgess and Andrew Wathey: ‘Mapping the soundscape: church music in English towns 1450-1500’ Early Music History 19 (2000) s. 1-46
Analyse og teori:
Everist, Mark (ed.): Music before 1600 (Models of musical analysis). Oxford 1992
Bonnie J. Blackburn: ‘On Compositional Process in the Fifteenth Century’ Journal of the American Musicological Society 40 (1987) s. 210-84
Jan Herlinger: ‘Music theory of the fourteenth and early sixteenth centuries’ i: Reinhard Strohm & Bonnie J. Blackburn (eds.): Music as Concept and Practise in the Late Middle Ages (The New Oxford History of Music. New Edition. Vol. III.1) Oxford (OUP) 2001, s. 244-300
Bonnie J. Blackburn: ‘Music theory and musical thinking after 1450’ i: Reinhard Strohm & Bonnie J. Blackburn (eds.): Music as Concept and Practise in the Late Middle Ages (The New Oxford History of Music. New Edition. Vol. III.1) Oxford (OUP) 2001, s. 301-45
Bonnie J. Blackburn: ‘The Dispute about Harmony c. 1500 and the Creation of a New Style’ i Anne-Emmanuelle Ceulemans & Bonnie J. Blackburn (eds.): Théorie et analyse musicales 1450-1650. Actes du colloque international Louvain-la-Neuve, 23-25 septembre 1999 (Musicologica Neolovaniensia Studia 9) Louvain-la-Neuve 2001, s. 1-37
Andrew Kirkman: The Three-Voice Mass in the Later Fifteenth and Early Sixteenth Centuries. Style, Distribution and Case Studies. New York & London (Garland) 1995, Chapter 3 The Theoretical Perspective, s. 101-136
Thomas Christensen (ed.): The Cambridge History of Western Music Theory. Cambridge 2002